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The theater legend behind seminal works from “West Side Story” to “Sweeney Todd” has a show on Broadway and a movie due soon. Musical theater icon Stephen Sondheim dead at 91 In truth, you can’t separate the words from the notes in his scores any more than you can pry apart form from content in his shows. Rushmore, for his contribution to the theater is as significant from a literary as it is from a musical standpoint. Sondheim deserves a spot on playwriting’s Mt. I’ve been called upon to write postmortem appreciations of Arthur Miller, August Wilson and Edward Albee - and only their legacies come close. No one can feign shock when a nonagenarian shuffles off his mortal coil, but the magnitude of Sondheim’s death feels seismic. “I think any good musical starts with the book, the libretto, the idea, the story, the characters,” he told director Richard Eyre in “Talking Theatre: Interviews With Theatre People.” “I can’t work on anything until I’ve discussed for weeks and sometimes months with my collaborator what the story is, why is music needed, why is music intrinsic as opposed to decorative, and what will music do to the story.” What separated Sondheim, who died Friday at age 91, was his recognition that writing musicals is fundamentally an act of playwriting. The sentiment was more than collaborative graciousness. Stephen Sondheim had a habit of firing off letters to the editor when the book writers of his shows were given short shrift in the media.